Michael Turinsky defines crip choreography as a critical artistic practice that takes its departure from the singularity of lived experience, its spatial and temporal, affective and libidinal facticity.

From there it takes a leap towards a complexity of ideas relating to disability, politics and/or aesthetics.

So, it will be about to do both: move and feel as well as think and talk.
In between we'll just mess around a bit, or rest and relax or follow the dark edge of our sweetest dreams.

Core issues that will be explored are

• Affect and representation
• Stillness, slowness and repetition
• Vibration and pulse, regular and irregular
• Shape and image
• Hypervisibility and invisibility
• Negativity and pleasure